Revised cover art courtesy Photohop Insurgent (I should never have told him the anecdote). For enlarged version, click here.
This past Saturday, Anne-Sophie Mutter gave what may be the very worst concerto performance I have ever heard from a ‘front rank’ soloist. After the concert, I ran into a prominent violinist, mentioned that I would have strongly preferred that she had been the soloist (she wisely attended a ballet performance with friends), and – with my usual good taste and restraint – said the Mutter did to the Mendelssohn what Leatherface did to all of those teenagers in The Texas Chain Saw Massacre. The rest of the concert, thankfully, was far better. My assessment of the New York Philharmonic's concert in honor of Mendelssohn's 200th birthday is up at ClassicalSource.com.
It's about time. And isn't it interesting that the orchestra has chosen to showcase Levine's recording of Ravel's Daphnis et Chloë, a party piece for former BSO maestro Charles Munch? Both of Munch's commercial recordings with the BSO are among the greatest glories of the RCA Red Seal catalogue, and an extraordinary 1962 stereo aircheck from Tanglewood has also circulated among collectors for some time. Full press release below the break…
Last Updated on Friday, 18 December 2009 00:17
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... from the dawn of the electrical recording era: Vaughan Williams's wonderful arrangement of the Gloucestershire Wassail as recorded in 1926 or 1927 by the English Singers, courtesy of Mickey Clark.
UPDATE, 2009:
Looks like the YouTube police pulled it. Good thing I kept the audio track!
Sybille Werner forwarded Benjamin Ivry's WSJ article reporting Team Yellow's decision to dump arguably their most interesting young artist, Yundi Li. [more]
Last Updated on Friday, 18 December 2009 00:09
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I've been an enormous fan of Iannis Xenakis and his colorful and complex music since my college years. Among my favorite Xenakis works is Synaphaï, a concertante work for piano and orchestra.
Last Updated on Friday, 18 December 2009 00:04
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